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For a lot of the music business's lifetime, piracy wasn't a serious problem. From the onset of recorded sound by the 1960s, folks purchased vinyl information at document shops. They could hearken to them at house and at gatherings and swap them with friends, however copying them would've been a troublesome and costly endeavor. After all, just a few folks made bootleg data, but they had been sometimes collections of outtakes or live performances the file corporations had little interest in releasing -- some alternate recordings of Bob Dylan songs, as an illustration, or a cobbled-collectively model of the Beach Boys' album "SMiLE" that had but to see the light of day. The appearance of magnetic tape as a recording medium began to vary issues, primarily after clean microcassettes went on sale. Some recording industry executives took situation with people duplicating cassette tapes, however soon that they had greater problems to fret about -- especially when CDs arrived and sound turned digital. CD burners allowed people to rip music off of CDs and onto personal computers.
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